We search for that breath, and its mindfulness. It’s that deep breath that focuses you on the moment, and fills you with calm and quiet. Too often our lives often become cluttered with the earthly grind of work and worry. We all feel some form of its ache. Some of us find the world is a bumpy road. Some of us find it an easy path to navigate, if not a little dusty now and then.
May you have the good fortune, at least once in a while, to find yourself on a summer’s drive to the countryside. A smooth ride on the open road, where you step out of the mundane, and your old coat, and into the mystic. Finding that deep breath that focuses you on the moment, you are there, in the green of summer, in a place that feels holy, and you feel whole. And you listen to the silence. Can you feel the silence?
Happy Birthday, Van Morrison. Thank you for the ride….
He was the king, and they said that being Fire over Fire, he could walk through flames and emerge unscathed.
The I Ching’s double fire sign, Li, means “to cling to something,” and “the brightness.” A luminous thing must contain something within itself that perseveres; otherwise it will burn itself out. It must hold fuel to nourish the flame.
Oh yes, Lord, he held on to it. The clinging fused with his being, behind flesh, beyond flesh, illuminating skin to nerve to bone, flowing through his bloodstream like a river of stars. Everything in him was alive with it, grasping it, lit by it. It informed him, defined him. Music was his flame and his fuel.
It was a Twist night gig, where jealousy and anger filled two men and spilled over into the dance hall. Their fight over a woman set the place ablaze. It almost cost the king his guitar, left behind in the mad rush to the door. He went back into the flames for it. When the smoke cleared, the name of the woman who set the night on fire was revealed. A phoenix rising from the ashes, the brightness and the clinging found its name: Lucille.
He knew he was here for this: the blues. A radiant, full hand rocking the string back and forth, bending time with sound. You are here to give witness to the luminosity, to feel its heat, and its truth. From smoky club to concert hall, the spark of his double fire kindled the lamp of every listener. The vibrato shines its light on a path for you. Go this way, brother. Keep it lit.
MAY YOU FIND A JOYFUL SURPRISE AND PEACE IN THE MOMENT…
Our lives are filled with shifts: seismic, paradigmatic, geographical, sociological, personal, and spiritual shifts. Big and small. And our lives are filled with sound: rhythm, and repetition – music, chant, song, verse, and spoken word.
Today is filled with the feeling of a shift. We are aware of the date, and we are in the moment: 12/12/12. Some might note that it is an end…there won’t be another repetitive date for lifetimes, not until January 1, 3001. A door, closing and transformational. Others may say its a number sequence filled with magic and mystery. A portal, open and transformational.
And many of us woke up to the news of Ravi Shankar’s passing.
While Bruce Lee is credited with opening a door to the world of martial arts and to Eastern thought through Chinese philosophy, George Harrison also influenced a cultural shift that would define a generation.
George Harrison was a seeker, looking for a deeper meaning to life beyond the material world and the confusion of fame. He played an instrumental role (pun intended and unintended) in changing how we listen to music, raising our awareness of the global community, opening a door not only to Indian and to world music, but also to Eastern philosophy through Indian thought, practice and meditation. The bridge between East and West was built, note by note, through his friendship, mentorship and collaboration with legendary virtuoso Ravi Shankar.
Pandit Ravi Shankar, from Varnasi, an ancient and holy Indian city, had played with Western artists like John Coltrane prior to his meeting Harrison, though it was his musical collaboration with the Beatles that sent his career soaring, elevating him to cultural ambassador, and introducing classical Indian ragas to the world. He played Woodstock, Monterey and organized the first-ever music fundraiser, held at Madison Square Garden, The Concert for Bangladesh. (The 12/12/12 Benefit Concert for Hurricane Sandy is rightfully part of his legacy, also held at MSG). During his career he played classical Indian music, but also experimented with different genres and collaborated with many artists. His soundtrack for the Apu trilogy by Satyajit Ray is as haunting as are films (see them if you can).
He remained, throughout his life, an electrifying force and powerful presence in world music. Sounds and shifts. Endings, beginnings. A door, closing and transformational. A portal, open and transformational.
Ravi Shankar (1920 – 2012)
Sing with me, sing for the years,
Sing for the laughter, sing for the tears…
Steve Tyler‘s song has always haunted me. How could someone so young instinctively understand the arc of our human life in all of its mystery, and express it with such mature perspective? What? This rambunctious rock and roller?
“I know nobody knows, where it comes and where it goes….” The words takes us into the depth of our mortality; life and time are ephemeral. That wake up call comes to us at a tender age, when we lose a pet, a friend, or a parent: you means this all ends?
The mortal coil winds into our awareness, spiraling around us in our knowing, and, in our not knowing. While we are here, we seek a meaningful experience. We want to make some sense of the mystery. Sunrise, sunset.
Max Frisch said, “Time does not change us, it unfolds us.” Our life lessons are experiential, and they are book taught: they keep us grounded. Our dreams house our spirit, our mythology, our creativity, our divinity. Even in uncertain skies, our dreams teach us to fly.
We are rocking the mortal coil.