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Sound of Silence
While walking through Brooklyn’s Williamsburg, I came across this poem written on a window that had been cemented over. Even though it is not English (it’s Italian), it evokes a dark mood, with its sloping black S words on a cement wall. The alliteration creates a snaky hissing sound, and the words seem to reveal dreams with the weight of a serpent, writing, eschewing vanity (smiling monkeys “spit on mirrors”), vulgarity and its slippery steps, slinking and sinking into the night’s moon…and silence. Is this a dream of awakening — an uncoiling spiral of kundalini energy? A anxious, sexual dream filled with innuendo? What significance does this hold for the writer? What compelled him to write his dream on the wall?
I also read a friend’s blog post, author Dr. Jean Raffa’s post on the significance of dreams. It’s a exploration in brilliant decoding, explaining the meaning and symbols a particular dream revealed to her. These are the things that propel us towards spirit, their unfolding and synchronicity plug us in to a deeper awareness. But, they require an intimate relationship between our consciousness and our attention. In today’s world, we wade through information overload and a pull towards material possessions. Information is not knowledge. Objects are not symbols. They distracts us from tapping into discovery of the self. In the truth of that discovery, even when it’s painful, we have a better sense of the world and our relationship to it.
Both the wall poetry and Dr. Raffa’s blog reminded me of Paul Simon’s tune, Sound of Silence, with its recounting of a dark and moody dream. The image and symbolism remain with him when he wakes up. The song, written by Simon when he was only 21, is a cautionary tale of how our distraction, apathy and materialism point us in the wrong direction. Lack of awareness is isolating, and ultimately leads to a breakdown in communication. That kind of silence is never golden and a neon sign can never supplant our divine spark.
How about you? Do you focus on symbols, or objects? Are you brave enough to decipher and share share your dreams?
Full
The moon orbits the spinning earth, and in its phases and cycles, seemingly shows us aspects of itself: new, crescent, quarter, full. Although it appears to be changing shape on its journey, the moon is actually reflecting the light from the sun. It is always moving, intact, whole. In truth, the moon is always full.
Sometimes in our search for meaning, we tend to take concepts and symbols apart, and then focus on the parts, and not the whole. A symbol we are all familiar with is the Taoist symbol of the yin yang. The image is a static version of its wholeness. Life is always in motion, always in a process of becoming, and changing. Like the moon, the yin yang is a symbol for change, for motion, for the play of light and shadow. We think of it in halves, and opposites — but it is not day or night, fall and winter. It is all things: day becoming night, fall becoming winter, growth and decay. It is always moving, intact, whole. This is time.
In the richness of Jungian psychology, this concept and its symbols are understood, and utilized, as the anime and animus. The anima is the female aspect present in the collective unconscious of men, and the animus is the male aspect present in the collective unconscious of women. But this energy is not static, neither halves or opposites — male or female, logic or compassion, conscious or unconscious, light or shadow. It is always moving, intact whole. This is being.
Yeats said, “It takes more courage to examine the dark corners of your own soul than it does for a soldier to fight on the battlefield.” Our life path is to realize the self. Not merely to explore and reconcile our light and our shadow, but to awaken what already resides within us. Like the moon, we are reflecting light, serving as mirrors for one another, not static, but reflective, responsive. This is transcendence.
In truth, like the moon, we are always moving, intact, whole, and full.
Toni
Water Over Fire 